Disappointed Don sat on my piano bench, looking perplexed as to why he couldn’t manage to take a decent solo on C Jam Blues. “Should I be learning the modes of the ascending melodic minor scales in all 12 keys – is that what I need to do?” he asked. Truth be told, after several lessons my sweet and studious adult student still struggled with swinging the 2 note melody to the tune. Don poured over every jazz piano and music theory book he could get his hands on, took weekly lessons from myself plus another piano teacher in town, attended jazz workshops/adult music camps whenever he could. I think he had too many masters to try to follow, too much theory to sort out, too many scales buzzing around inside his head, which in turn caused his fingers to freeze at the keys! (It didn’t help that he spent more time reading a stack of books about jazz instead of actually practicing the piano.) Continue reading “On a Scale of 1 to 1000: How Many Do You Need To Know?”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?
The orthopedic surgeon who was vacationing on a recent Jazz & Wine Riverboat Cruise sincerely wanted to know what goes on inside a jazz musician’s brain. Continue reading “What Do Jazz Musicians Think About When Improvising?”