Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them

There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”

Notes To Choose For a 12 Bar Blues (Easy RH Improvisation Tips)

By popular request I filmed this tutorial exploring my easy go-to ideas a pianist may play over a medium-up tempo jazz blues in the key of F:

The original tutorial shown below was meant to be simply a lesson on a LH device called The Bud Powell Shell. Many of you then asked if I could share what RH “licks” I was using on my video, Improvising 28 Bars of Blues.  Continue reading “Notes To Choose For a 12 Bar Blues (Easy RH Improvisation Tips)”

Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement

Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:


Continue reading “Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement”

Growing Up Around A Piano: Memories of My Brother

Frank Denton Denke (6/17/1934 – 1/29/2021)

I didn’t get the opportunity to ‘grow up’ with my big brother Denton and oldest sister Diane, since these first born 2 siblings had already left the nest. Our mother Virginia (singing in the photo) behind our father Frank R. Denke (playing the piano) really spread the 4 of us out in age: My brother was born about a year after our parents married, followed by my sister Diane (not pictured) a few years later. 10 years after Diane my sister Connie was born (the teen girl singing), and 12 years later I came along. I’m the little girl in this newspaper article, looking up at her big brother, who planned to leave for the following 3 years doing Catholic Charity work as a teacher in Chile. Continue reading “Growing Up Around A Piano: Memories of My Brother”

Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials

December is the perfect time of year to develop one’s ear training skills. We’ve been by saturated listening to Christmas & Holiday tunes playing all over the place since Halloween, and know those familiar jingles a jing-jing-jingling quite well by now, so well in fact we can’t seem to get them out of our heads! So you may as well face the music and do something creative with these tunes as long as you are hearing them over and over, right? Continue reading “Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials”

Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations

 

The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”

Tea For Two/My Little Suede Shoes (Piano Medley)

This quirky mambo/cha-cha mashup of 2 seemingly unrelated tunes had been buzzing inside my brain for a week. What would happen if I paired this Vincent Youmans 1924 classic with a Charlie Parker mambo, put them both in the same key, mashed the tunes together with a Latin Jazz Dance Beat, figured out how to create that groove for the solo pianist’s left hand while exploring the possibilites of how to utilize the range of the piano for a ‘hands on the keys bird’s eye view’ tutorial/demonstration, filmed with a gooseneck cell phone clamp attached to the music rack? Continue reading “Tea For Two/My Little Suede Shoes (Piano Medley)”

Got The Blues? Tips on How To Play a Slow Blues in G

It’s over 100º outside, we are all getting a bit bored with “socially distancing”, and let’s face it – today is a great day to learn to play a very slow, hot, blues.

This tutorial came together after giving several of my online piano students tips on the basic 12 bar blues, common blues endings/turnarounds, typical jazz blues substitutions – plus my “covid bubble hubby” music partner and I had just performed a live Zoom concert from our home studio to friends’ living rooms across the country in their own “covid bubbles.” Continue reading “Got The Blues? Tips on How To Play a Slow Blues in G”

8 Ways to Play 4 Notes: If I Had You (solo piano ideas)

If I Had You (1929) is a cute YOUtune that can be played various tempos; I chose to arrange it with a slow swinging ‘saunter through the park’ feel.  The tutorial part of this first video explores 8 different ways to harmonize the opening 4 chromatic melody notes in the main body of the tune. Watch the video all the way through, and you will get a bird’s eye view of many stylistic solo piano devices such as single note or octave bass lines, broken 10ths, soft swing bass, and the Bud Powell LH shell voicing using the root and 7th, which are all suitable for small hands. Continue reading “8 Ways to Play 4 Notes: If I Had You (solo piano ideas)”