Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.
What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?
The orthopedic surgeon who was vacationing on a recent Jazz & Wine Riverboat Cruise sincerely wanted to know what goes on inside a jazz musician’s brain. Continue reading “What Do Jazz Musicians Think About When Improvising?”
When making a solo piano arrangement you must do 4 things with 2 hands: Provide the Melody, Harmony, Bass Line, Rhythm. How you divide up these elements between 2 hands can vary. I used 3 different registers on the piano while playing this lovely tune to add variety. Continue reading “Overjoyed: Playing the Piano as an Orchestral Instrument”
“It’s a National Emergency!!”
The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”
I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”
It’s normally a lively Christmas Season full of parties, pageants, and performances – including outdoor concert venues for musicians, strolling carolers, and elaborately festive church services, but this December 2017 is different. Santa Barbara along with Montecito, Summerland, Carpenteria, Ojai, Santa Paula, Ventura and other nearby cities are having quite the challenge with fires, smoke, power outages, and evacuations.
We musicians wait till the last hour to hear if a gig is still happening, we check the air quality, look at maps to see if the location has been evacuated, and no one can say for certain what will happen if the winds stir fire and ash up again. We are all truly playing this season by ear. Continue reading “Music for Troubled Times”
The history behind the story also known as…
Bob Takes The 101: A Road Trip Musical Story/Game
Last Spring our keyboard & bass duo was invited to play a charity fundraising event held in the lovely gardens of El Mirador Estate, Montecito (pictured above). The 2017 theme was “California Dreaming” – they requested that we play as many CA themed tunes as we could – naturally Robert Kim Collins and I included a fair share of West Coast Jazz too. 😉
Once again I turned to musical friends and posted an inquiry on Facebook asking for tune titles specifically written about places in California. I also gathered ideas from my father Frank Denke’s album made for an insurance company in the 1950’s called, Melodies of California: Continue reading “CA Here I Come!”
Okay, I will be first to admit it: I occasionally dash off very bad charts to fling at my trusted musical partners the night of the gig when I am in a big hurry. I am a jazz & church pianist, vocal accompanist, and sometimes sing a few numbers on my gigs too – yet, even when I know better, now and then I fall short and exhibit CSS symptoms. Although this article resembles ‘preaching to the choir’ (including myself in that group) – it is a more detailed exploration into writing music extracted from my blog, Do You Suffer Chick Singer Syndrome?)
I’d like to share a few examples ranging from pitiful to pretty good charts (both lyric and lead sheets), that I have either personally penned or have been instructed to “Just read the chart and listen to the YouTube link and figure it out.”
The following levels apply to charts written by today’s jazz and church musicians, vocalists, accompanists and band members. Remember, men and women can suffer Chick Singer Syndrome – even superbly talented ones! So with a touch of humor, kindly read on. Continue reading “Do You Hand Out Bad Charts?”
How To Play the Musical “Guess that YOU-tune” Game: