The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”
Musicians who are also Educators have a burning desire to create, perform, and share ideas with others, which can be tough during these times of quarentine due to COVID-19. Fortunately for me, I’ve been self isolating along with my musician husband who happens to be a very fine jazz bassist. TrueConfession: We don’t normally practice together Continue reading “On A Clear Day: 3 Ways 2 Play 4 Piano”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful FourO’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
Ever wonder how jazz musicians come up with inspired chords when playing ballads? Reharmonization can be a fun experiment to try! Watch my video to find 3 ways to create a compelling bass line plus some sweet chord voicings to play under the melody of Hoagy Carmichael’s classic composition Skylark:
I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”