This quirky mambo/cha-cha mashup of 2 seemingly unrelated tunes had been buzzing inside my brain for a week. What would happen if I paired this Vincent Youmans 1924 classic with a Charlie Parker mambo, put them both in the same key, mashed the tunes together with a Latin Jazz Dance Beat, figured out how to create that groove for the solo pianist’s left hand while exploring the possibilites of how to utilize the range of the piano for a ‘hands on the keys bird’s eye view’ tutorial/demonstration, filmed with a gooseneck cell phone clamp attached to the music rack? Continue reading “Tea For Two/My Little Suede Shoes (Piano Medley)”
These melancholy ballads do well to express my mood this year. The first week of Spring 2020 began with all concerts, church jobs, club gigs, parties, music performances of all types being cancelled. My heart went out to musicians cutting short their tours, professional and Continue reading “Spring Can Really Hang You Up The Most -You Must Believe In Spring (and Love)”
Musicians who are also Educators have a burning desire to create, perform, and share ideas with others, which can be tough during these times of quarentine due to COVID-19. Fortunately for me, I’ve been self isolating along with my musician husband who happens to be a very fine jazz bassist. True Confession: We don’t normally practice together Continue reading “On A Clear Day: 3 Ways 2 Play 4 Piano”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
Ever wonder how jazz musicians come up with inspired chords when playing ballads? Reharmonization can be a fun experiment to try! Watch my video to find 3 ways to create a compelling bass line plus some sweet chord voicings to play under the melody of Hoagy Carmichael’s classic composition Skylark:
Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.
When making a solo piano arrangement you must do 4 things with 2 hands: Provide the Melody, Harmony, Bass Line, Rhythm. How you divide up these elements between 2 hands can vary. I used 3 different registers on the piano while playing this lovely tune to add variety. Continue reading “Overjoyed: Playing the Piano as an Orchestral Instrument”
“It’s a National Emergency!!”
The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”