These melancholy ballads do well to express my mood this year. The first week of Spring 2020 began with all concerts, church jobs, club gigs, parties, music performances of all types being cancelled. My heart went out to musicians cutting short their tours, professional and Continue reading “Spring Can Really Hang You Up The Most -You Must Believe In Spring (and Love)”
Musicians who are also Educators have a burning desire to create, perform, and share ideas with others, which can be tough during these times of quarentine due to COVID-19. Fortunately for me, I’ve been self isolating along with my musician husband who happens to be a very fine jazz bassist. True Confession: We don’t normally practice together Continue reading “On A Clear Day: 3 Ways 2 Play 4 Piano”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.
Continue reading “The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up”
What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?
The orthopedic surgeon who was vacationing on a recent Jazz & Wine Riverboat Cruise sincerely wanted to know what goes on inside a jazz musician’s brain. Continue reading “What Do Jazz Musicians Think About When Improvising?”
The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”
I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”
It’s normally a lively Christmas Season full of parties, pageants, and performances – including outdoor concert venues for musicians, strolling carolers, and elaborately festive church services, but this December 2017 is different. Santa Barbara along with Montecito, Summerland, Carpenteria, Ojai, Santa Paula, Ventura and other nearby cities are having quite the challenge with fires, smoke, power outages, and evacuations.
We musicians wait till the last hour to hear if a gig is still happening, we check the air quality, look at maps to see if the location has been evacuated, and no one can say for certain what will happen if the winds stir fire and ash up again. We are all truly playing this season by ear. Continue reading “Music for Troubled Times”
The history behind the story also known as…
Bob Takes The 101: A Road Trip Musical Story/Game
Last Spring our keyboard & bass duo was invited to play a charity fundraising event held in the lovely gardens of El Mirador Estate, Montecito (pictured above). The 2017 theme was “California Dreaming” – they requested that we play as many CA themed tunes as we could – naturally Robert Kim Collins and I included a fair share of West Coast Jazz too. 😉
Once again I turned to musical friends and posted an inquiry on Facebook asking for tune titles specifically written about places in California. I also gathered ideas from my father Frank Denke’s album made for an insurance company in the 1950’s called, Melodies of California: Continue reading “CA Here I Come!”