Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them

There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”

Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials

December is the perfect time of year to develop one’s ear training skills. We’ve been by saturated listening to Christmas & Holiday tunes playing all over the place since Halloween, and know those familiar jingles a jing-jing-jingling quite well by now, so well in fact we can’t seem to get them out of our heads! So you may as well face the music and do something creative with these tunes as long as you are hearing them over and over, right? Continue reading “Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials”

Explaining the Greek Modes

Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.

This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”

The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up

Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.

Continue reading “The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up”

What Do Jazz Musicians Think About When Improvising?

 What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?

The orthopedic surgeon who was vacationing on a recent Jazz & Wine Riverboat Cruise sincerely wanted to know what goes on inside a jazz musician’s brain. Continue reading “What Do Jazz Musicians Think About When Improvising?”

Doxology: The New Old 100th – An Advanced Reharmonization Tutorial

The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”

Aeolian King – Unlock Piano Improvisation

Peace Prayer by Debbie Denke

 

I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”