Amazing jazz pianist Emmet Cohen knows how to make the piano sing during the tune “Where Is Love?” from Oliver! Let’s compare his 6 live performances of this beautiful ballad, to see what makes his takes so lovely.
Here’s my simpler chart of “Where Is Love” with lyrics (this may be important to help a ballad’s interpretation) in Emmet’s chosen key of A Major: Continue reading “Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?””
There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”
Fun Fact: The gorgeous Duke Ellington composition In A Sentimental Mood begins with an ascending melody formed from a pentatonic scale. These same pickup notes (F, G, A, C, D, F, G) could also lead into the Gershwin classic Someone To Watch Over Me, but would land on another starting chord and go into a whole different tune altogether. (See Idea #29 “Chromatic Pickups”, notated on page 44 of my book Amazing Phrasing-Keyboard, found here): https://www.amazon.com/author/debbiedenkemusic Continue reading “In A Sentimental Mood: Ways To Harmonize”
K-Pop, Early Classical Music, Contemporary Christian Praise Hymns, Folk Tunes, New Age Piano, Country & Western Music: When it comes to improvisation, what do these genres have in common? Hint: Musicians will often sound “right in the pocket” by creating solos made up of just 7 notes (using only 1 scale) over the entire tune!
For the above genres of music (including certain even eighth note Jazz & Gospel styles), the 7 notes of the major key center scale work well for improvising over the whole piece. It’s an easy concept to keep in mind that may enhance your solos (without having to think of too many confusing options), so you can focus on building nice melodic lines with rhythmic variety. When we build solos upon one scale it’s called playing diatonically – which can sound good, provided the tune’s harmony doesn’t stray far from the home key. Continue reading “12 Key Improvisation Ideas For Piano: Just 1 Scale 7 Notes!”
Feeling slightly “under the weather” but still wanting to teach, I asked 2 adult jazz piano students to meet online for lessons. Educators know that teaching over the internet requires extra energy to communicate, and I was a bit short of breath. What valuable lessons could I give my inquisitive students that would keep their fingers busy while I listened, hydrated, and encouraged them, with minimal talking on my part? I took a couple hits off my inhaler and came up with a “game plan” (modeled after real life situations I’ve had as a performer), and tested it out on my students. Together we had a good deal of fun playing these online socially safe music games. Continue reading “Music Game #1: “Tip Jar” (Playtime For Teacher & Piano Student)”
December is the perfect time of year to develop one’s ear training skills. We’ve been by saturated listening to Christmas & Holiday tunes playing all over the place since Halloween, and know those familiar jingles a jing-jing-jingling quite well by now, so well in fact we can’t seem to get them out of our heads! So you may as well face the music and do something creative with these tunes as long as you are hearing them over and over, right? Continue reading “Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials”
These melancholy ballads do well to express my mood this year. The first week of Spring 2020 began with all concerts, church jobs, club gigs, parties, music performances of all types being cancelled. My heart went out to musicians cutting short their tours, professional and Continue reading “Spring Can Really Hang You Up The Most -You Must Believe In Spring (and Love)”
Musicians who are also Educators have a burning desire to create, perform, and share ideas with others, which can be tough during these times of quarentine due to COVID-19. Fortunately for me, I’ve been self isolating along with my musician husband who happens to be a very fine jazz bassist. True Confession: We don’t normally practice together Continue reading “On A Clear Day: 3 Ways 2 Play 4 Piano”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.
Continue reading “The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up”