It’s over 100º outside, we are all getting a bit bored with “socially distancing”, and let’s face it – today is a great day to learn to play a very slow, hot, blues.
This tutorial came together after giving several of my online piano students tips on the basic 12 bar blues, common blues endings/turnarounds, typical jazz blues substitutions – plus my “covid bubble hubby” music partner and I had just performed a live Zoom concert from our home studio to friends’ living rooms across the country in their own “covid bubbles.” Continue reading “Got The Blues? Tips on How To Play a Slow Blues in G”
Musicians who are also Educators have a burning desire to create, perform, and share ideas with others, which can be tough during these times of quarentine due to COVID-19. Fortunately for me, I’ve been self isolating along with my musician husband who happens to be a very fine jazz bassist. TrueConfession: We don’t normally practice together Continue reading “On A Clear Day: 3 Ways 2 Play 4 Piano”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful FourO’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”
Ever wonder how jazz musicians come up with inspired chords when playing ballads? Reharmonization can be a fun experiment to try! Watch my video to find 3 ways to create a compelling bass line plus some sweet chord voicings to play under the melody of Hoagy Carmichael’s classic composition Skylark:
Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.
What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?
It’s normally a lively Christmas Season full of parties, pageants, and performances – including outdoor concert venues for musicians, strolling carolers, and elaborately festive church services, but this December 2017 is different. Santa Barbara along with Montecito, Summerland, Carpenteria, Ojai, Santa Paula, Ventura and other nearby cities are having quite the challenge with fires, smoke, power outages, and evacuations.
We musicians wait till the last hour to hear if a gig is still happening, we check the air quality, look at maps to see if the location has been evacuated, and no one can say for certain what will happen if the winds stir fire and ash up again. We are all truly playing this season by ear. Continue reading “Music for Troubled Times”
Last Spring our keyboard & bass duo was invited to play a charity fundraising event held in the lovely gardens of El Mirador Estate, Montecito (pictured above). The 2017 theme was “California Dreaming” – they requested that we play as many CA themed tunes as we could – naturally Robert Kim Collins and I included a fair share of West Coast Jazz too. 😉
Once again I turned to musical friends and posted an inquiry on Facebook asking for tune titles specifically written about places in California. I also gathered ideas from my father Frank Denke’s album made for an insurance company in the 1950’s called, Melodies of California:Continue reading “CA Here I Come!”