Early Classical, K-Pop, Contemporary Christian & New Age Music: When it comes to improvisation, what do these genres have in common? Hint: You can sound great using just 7 notes!
For the above styles of music (plus certain Jazz & Gospel tunes), the 7 notes of the key center scale works well for improvising over the whole tune. It’s an easy concept to keep in mind that may enhance your solos, without having to think of too many confusing options, so you can focus on building nice melodic lines using rhythmic variety. When we build solos upon one scale it’s called improvising diatonically – which works fine provided the tune’s harmony doesn’t stray far from the home key.
Pianists, keyboardists, and guitarists have the advantage of being able to build chords diatonically by combining notes built across a scale. In the following video tutorial I’ll show you how to do just that by using the D major scale (the key center of the #kpop hit Euphoria, sung by Jungkook of the band #BTS). The entire video – all exercises and examples – are made using only these 7 notes: D E F# G A B C#.
Hope you have fun exploring the key of D like I did! – DD
Feeling slightly “under the weather” but still wanting to teach, I asked 2 adult jazz piano students to meet online for lessons. Educators know that teaching over the internet requires extra energy to communicate, and I was a bit short of breath. What valuable lessons could I give my inquisitive students that would keep their fingers busy while I listened, hydrated, and encouraged them, with minimal talking on my part? I took a couple hits off my inhaler and came up with a “game plan” (modeled after real life situations I’ve had as a performer), and tested it out on my students. Together we had a good deal of fun playing these online socially safe music games. Continue reading “Music Game #1: “Tip Jar” (Playtime For Teacher & Piano Student)”
There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”
Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:
The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”
Bored with that minor chord? Don’t be! Making music in minor keys can be quite exhilarating with these 3 fun and easy tips. All you need is a bit of time to move around on a minor chord – then you can add colorful sounds to your arrangement.
The next 3 videos explain everything to start exploring the ideas. Apply the following tips to a tune of your choice in a minor key, or choose a piece which has a minor chord lasting 2 bars or longer. You may also elect to work on the many song suggestions demonstrated in the body of these tutorial videos: Continue reading “3 Easy Tips: Playing With Minor Chords”
This quirky mambo/cha-cha mashup of 2 seemingly unrelated tunes had been buzzing inside my brain for a week. What would happen if I paired this Vincent Youmans 1924 classic with a Charlie Parker mambo, put them both in the same key, mashed the tunes together with a Latin Jazz Dance Beat, figured out how to create that groove for the solo pianist’s left hand while exploring the possibilites of how to utilize the range of the piano for a ‘hands on the keys bird’s eye view’ tutorial/demonstration, filmed with a gooseneck cell phone clamp attached to the music rack? Continue reading “Tea For Two/My Little Suede Shoes (Piano Medley)”
I almost called it “Testing Out A Gooseneck Cell Phone HolderFor The Purpose of Showing a Bird’s Eye View For Clearer Teaching of Online Students And Improved Filming Of Piano Tutorials”, but decided to call my 58 second experiment instead, Name This Tune…Continue reading “What’s Your Name For This Familiar Melody?”
It’s over 100º outside, we are all getting a bit bored with “socially distancing”, and let’s face it – today is a great day to learn to play a very slow, hot, blues.
This tutorial came together after giving several of my online piano students tips on the basic 12 bar blues, common blues endings/turnarounds, typical jazz blues substitutions – plus my “covid bubble hubby” music partner and I had just performed a live Zoom concert from our home studio to friends’ living rooms across the country in their own “covid bubbles.” Continue reading “Got The Blues? Tips on How To Play a Slow Blues in G”