K-Pop, Early Classical Music, Contemporary Christian Praise Hymns, Folk Tunes, New Age Piano, Country & Western Music: When it comes to improvisation, what do these genres have in common? Hint: Musicians will often sound “right in the pocket” by creating solos made up of just 7 notes (using only 1 scale) over the entire tune!
For the above genres of music (including certain even eighth note Jazz & Gospel styles), the 7 notes of the major key center scale work well for improvising over the whole piece. It’s an easy concept to keep in mind that may enhance your solos (without having to think of too many confusing options), so you can focus on building nice melodic lines with rhythmic variety. When we build solos upon one scale it’s called playing diatonically – which can sound good, provided the tune’s harmony doesn’t stray far from the home key. Continue reading “12 Key Improvisation Ideas For Piano: Just 1 Scale 7 Notes!”
Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:
The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”
This quirky mambo/cha-cha mashup of 2 seemingly unrelated tunes had been buzzing inside my brain for a week. What would happen if I paired this Vincent Youmans 1924 classic with a Charlie Parker mambo, put them both in the same key, mashed the tunes together with a Latin Jazz Dance Beat, figured out how to create that groove for the solo pianist’s left hand while exploring the possibilites of how to utilize the range of the piano for a ‘hands on the keys bird’s eye view’ tutorial/demonstration, filmed with a gooseneck cell phone clamp attached to the music rack? Continue reading “Tea For Two/My Little Suede Shoes (Piano Medley)”
If I Had You(1929) is a cute YOUtune that can be played various tempos; I chose to arrange it with a slow swinging ‘saunter through the park’ feel. The tutorial part of this first video explores 8 different ways to harmonize the opening 4 chromatic melody notes in the main body of the tune. Watch the video all the way through, and you will get a bird’s eye view of many stylistic solo piano devices such as single note or octave bass lines, broken 10ths, soft swing bass, and the Bud Powell LH shell voicing using the root and 7th, which are all suitable for small hands. Continue reading “8 Ways to Play 4 Notes: If I Had You (solo piano ideas)”