Amazing jazz pianist Emmet Cohen knows how to make the piano sing during the tune “Where Is Love?” from Oliver! Let’s compare his 6 live performances of this beautiful ballad, to see what makes his takes so lovely.
Here’s my simpler chart of “Where Is Love” with lyrics (this may be important to help a ballad’s interpretation) in Emmet’s chosen key of A Major: 
Continue reading “Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?””
Disappointed Don sat on my piano bench, looking perplexed as to why he couldn’t manage to take a decent solo on C Jam Blues. “Should I be learning the modes of the ascending melodic minor scales in all 12 keys – is that what I need to do?” he asked. Truth be told, after several lessons my sweet and studious adult student still struggled with swinging the 2 note melody to the tune. Don poured over every jazz piano and music theory book he could get his hands on, took weekly lessons from myself plus another piano teacher in town, attended jazz workshops/adult music camps whenever he could. I think he had too many masters to try to follow, too much theory to sort out, too many scales buzzing around inside his head, which in turn caused his fingers to freeze at the keys! (It didn’t help that he spent more time reading a stack of books about jazz instead of actually practicing the piano.) Continue reading “On a Scale of 1 to 1000: How Many Do You Need To Know?”
K-Pop, Early Classical Music, Contemporary Christian Praise Hymns, Folk Tunes, New Age Piano, Country & Western Music: When it comes to improvisation, what do these genres have in common? Hint: Musicians will often sound “right in the pocket” by creating solos made up of just 7 notes (using only 1 scale) over the entire tune!
For the above genres of music (including certain even eighth note Jazz & Gospel styles), the 7 notes of the major key center scale work well for improvising over the whole piece. It’s an easy concept to keep in mind that may enhance your solos (without having to think of too many confusing options), so you can focus on building nice melodic lines with rhythmic variety. When we build solos upon one scale it’s called playing diatonically – which can sound good, provided the tune’s harmony doesn’t stray far from the home key. Continue reading “12 Key Improvisation Ideas For Piano: Just 1 Scale 7 Notes!”
Are you ready to play The “Home” Game? Truth be told, many music students, hobbyists, and professionals bring on the smiles playing for audiences in retirement homes. The power of music can be both healing and comforting. Famous singer Tony Bennett has been in the news of late as we witness him suffering Alzheimers disease, yet to see his face light up as he sings with amazing recall is incredibly inspiring. Aspiring musicians of all ages can test drive their upcoming concert material in front of receptive senior audiences. Teen piano students get not only performance experience, but may earn high school community service credit by playing in retirement homes. Continue reading “Music Game #2: Happy Memories Retirement Home (Playtime for Piano Teacher & Student)”
Feeling slightly “under the weather” but still wanting to teach, I asked 2 adult jazz piano students to meet online for lessons. Educators know that teaching over the internet requires extra energy to communicate, and I was a bit short of breath. What valuable lessons could I give my inquisitive students that would keep their fingers busy while I listened, hydrated, and encouraged them, with minimal talking on my part? I took a couple hits off my inhaler and came up with a “game plan” (modeled after real life situations I’ve had as a performer), and tested it out on my students. Together we had a good deal of fun playing these online socially safe music games. Continue reading “Music Game #1: “Tip Jar” (Playtime For Teacher & Piano Student)”
By popular request I filmed this tutorial exploring my easy go-to ideas a pianist may play over a medium-up tempo jazz blues in the key of F:
The original tutorial shown below was meant to be simply a lesson on a LH device called The Bud Powell Shell. Many of you then asked if I could share what RH “licks” I was using on my video, Improvising 28 Bars of Blues. Continue reading “Notes To Choose For a 12 Bar Blues (Easy RH Improvisation Tips)”
Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:
Continue reading “Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement”
December is the perfect time of year to develop one’s ear training skills. We’ve been by saturated listening to Christmas & Holiday tunes playing all over the place since Halloween, and know those familiar jingles a jing-jing-jingling quite well by now, so well in fact we can’t seem to get them out of our heads! So you may as well face the music and do something creative with these tunes as long as you are hearing them over and over, right? Continue reading “Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials”
The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”
Ever wonder what would happen if you took Rhythm Changes and put them in a minor key? You just might get a spooky October surprise!
First, let’s define “Rhythm Changes“. (It has nothing to do with a rhythm changing or any meaning close to that. This jazz musician term is simply a shortening of the phrase, ‘Play the same chords (aka the changes) that George & Ira Gershwin used for their popular tune, I Got Rhythm’. Knowing how to improvise over Rhythm Changes (especially in the key of Bb), is an expected part of every jazz musician’s repertoire, next in line after being able to improvise over the 12 bar blues form. Continue reading “An Experiment With ‘Rhythm Changes’ (Skeletons Dance at Midnight)”
