Ways To Play “A Time For Love”

The gorgeous Johnny Mandel composition A Time For Love may be played in a variety of ways. The day I heard Emmet Cohen’s exquisite performance of this tune I became transfixed, not only with transcribing his dynamic cadenza/coda, but also took a deep dive into what he and other artists did with this tune, eventually combining ideas into my own version of A Time For Love. Let’s go down the rabbit hole to explore some favorite harmonic options!

The next step of this  journey led to finding a chart in a collection of tunes called, The Standards Real Book (Sher Publications). The tune is printed in the key of F Major -same key played by the Emmet Cohen Trio – although this standard is often performed by other musicians in the key of Bb. While the Sher book is a terrific resource for tunes, chords, and lyrics, just about every jazz pianist (myself included), likes to add their own harmony and personalize their arrangements, at least a little. So I set out to change up a few chords and create some flowing bass lines in a few places, and gave the ballad a solo piano approach, instead of the book’s suggested Double X Samba treatment!

Watch this tutorial to explore several options. Worksheets are printable under the “Downloads” column on this website. I’ve written out solo piano voicings for a few tricky areas which differ from Sher’s lead sheet suggestions:

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Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?”

Amazing jazz pianist Emmet Cohen knows how to make the piano sing during  the tune “Where Is Love?” from Oliver! Let’s compare his 6 live performances of this beautiful ballad, to see what makes his takes so lovely.

Here’s my simpler chart of “Where Is Love” with lyrics (this may be important to help a ballad’s interpretation) in Emmet’s chosen key of A Major:    Continue reading “Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?””

Adding Chords to a Jazz Ballad: Skylark Tutorial

Ever wonder how jazz musicians come up with inspired chords when playing ballads? Reharmonization can be a fun experiment to try!  Watch my video to find 3 ways to create a compelling bass line plus some sweet chord voicings to play under the melody of Hoagy Carmichael’s classic composition Skylark: