Ways To Play “A Time For Love”

The gorgeous Johnny Mandel composition A Time For Love may be played in a variety of ways. The day I heard Emmet Cohen’s exquisite performance of this tune I became transfixed, not only with transcribing his dynamic cadenza/coda, but also took a deep dive into what he and other artists did with this tune, eventually combining ideas into my own version of A Time For Love. Let’s go down the rabbit hole to explore some favorite harmonic options!

The next step of this  journey led to finding a chart in a collection of tunes called, The Standards Real Book (Sher Publications). The tune is printed in the key of F Major -same key played by the Emmet Cohen Trio – although this standard is often performed by other musicians in the key of Bb. While the Sher book is a terrific resource for tunes, chords, and lyrics, just about every jazz pianist (myself included), likes to add their own harmony and personalize their arrangements, at least a little. So I set out to change up a few chords and create some flowing bass lines in a few places, and gave the ballad a solo piano approach, instead of the book’s suggested Double X Samba treatment!

Watch this tutorial to explore several options. Worksheets are printable under the “Downloads” column on this website. I’ve written out solo piano voicings for a few tricky areas which differ from Sher’s lead sheet suggestions:

Take a listen to my version complete with improvised intro & solo section, with a coda/cadenza inspired by Emmet Cohen Trio Live in Warsaw April 2023 performance. Note: If I get enough positive reacations and requests I just might share my transcription of EC’s hauntingly beautiful ending…;-)

Check out the links below my video to hear musicians who each did amazing performances of this timeless love song, and enjoy!

Key of F: Pianist Emmet Cohen, bassist Philip Norris, and drummer Kyle Poole:    • Emmet Cohen Trio | “A Time For Love” … (Emmet Cohen Trio Live Warsaw Second Set April 2023)  

Barry Harris: Key of Bb:                                                                                                                 • Barry Harris Trio (Live At Dug) – A T…   (Barry Harris Live at Dug 1995)   

Roy Hargrove Key of Bb: (Opening uses the note F in the bass)                                • ROY HARGROVE  –  A Time For Love   (Roy Hargrove Quintet Live At The New Morning July 2007)  

Bill Evans begins in Key of D, then transitions to Bb:                                                      • Transcripción: A time for love por Bi…   (Bill Evans Transcription Nacho Stoppani 2016)   

Tony Bennett sings in Key of Bb: It’s wise to hear the lyrics if a tune has them. Hear how Tony Bennett emotes the poetic lyrics by Paul Francis Webster        • A Time For Love   (Tony Bennett Sony with orchestra 1966)

 

 

Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement

Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:


Continue reading “Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement”

When The Saints Go Marching In (Lesson in Jazz Harmony)

Memorial Weekend 2020 felt like a relevant time to revisit this recording of When The Saints Go Marching In, to honor the lives of heroes lost during both the past and most recent of days. The concept of my arrangement was similar to a New Orleans Funeral or Celebration of Life – a contemplative piano introduction, followed by a jubilant jazz band send off: Continue reading “When The Saints Go Marching In (Lesson in Jazz Harmony)”

Adding Chords to a Jazz Ballad: Skylark Tutorial

Ever wonder how jazz musicians come up with inspired chords when playing ballads? Reharmonization can be a fun experiment to try!  Watch my video to find 3 ways to create a compelling bass line plus some sweet chord voicings to play under the melody of Hoagy Carmichael’s classic composition Skylark:

 

Doxology: The New Old 100th – An Advanced Reharmonization Tutorial

The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”