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The Ambiguous Alt. Chord Symbol: What To Do?

You may wonder what the chord symbol (alt) is all about?

It’s best explained by watching the following video:

Download a free copy under the “downloads” column titled G7 through G7alt on this website to follow along. Voicings include many 2 handed piano chord ideas. Note: When playing with a bassist, pianists can put the main body of the chord in their left hand, and allow the bass player to play the chord’s root!

Want to learn more about advanced jazz harmony? You’re invited to view this tutorial on poly-chords: Continue reading “The Ambiguous Alt. Chord Symbol: What To Do?”

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Jam Session 101: 22 Dos & Don’ts

A jam session can be a great way to gain performing experience. Plus, if you play it right, you’ll be introduced to other musicians who may want to work with you someday! Ready to go onstage, meet and play music with others?

Be aware that certain sit-in behaviors can influence your reputation in a positive way, while others may be highly off-putting. Of course, sounding good on your instrument matters, but it’s not the entire story!

Learn the unspoken (yet understood by the pros) protocol tips for sitting in: Continue reading “Jam Session 101: 22 Dos & Don’ts”

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Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them

There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”

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Music Game #3: Playtime For Traditional Piano Teacher/Student

Piano Teachers: Want to play a fun new game that builds your student’s performance skills and practical knowledge of important music concepts? Try Music Game #3: Playtime For Traditional Piano Teacher/Student, designed for classical piano teachers with younger intermediate-level private students in mind. This game includes several practical ideas which pianists in the real world are expected to know, but often get overlooked during traditional music lessons. (The preceding 2 articles – Music Game #2 : “Happy Memories Retirement Home” and Music Game #1: “TipJar” – are games geared for high school-aged through older adult music students who have acquired more of a jazz/pop repertoire.) Continue reading “Music Game #3: Playtime For Traditional Piano Teacher/Student”

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Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement

Let’s take the lovely ballad Skylark (by Johnny Mercer/Hoagy Carmichael), and learn how to enhance a ballad’s melody with beautiful chords and a foundational bass line. In this video observe how I took a chart from an old fakebook and updated some chords more to my liking, a process called reharmonization:


Continue reading “Big Ideas For Small Hands: How To Write a Full Sounding Piano Arrangement”

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Tea For Two/My Little Suede Shoes (Piano Medley)

This quirky mambo/cha-cha mashup of 2 seemingly unrelated tunes had been buzzing inside my brain for a week. What would happen if I paired this Vincent Youmans 1924 classic with a Charlie Parker mambo, put them both in the same key, mashed the tunes together with a Latin Jazz Dance Beat, figured out how to create that groove for the solo pianist’s left hand while exploring the possibilites of how to utilize the range of the piano for a ‘hands on the keys bird’s eye view’ tutorial/demonstration, filmed with a gooseneck cell phone clamp attached to the music rack? Continue reading “Tea For Two/My Little Suede Shoes (Piano Medley)”

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When The Saints Go Marching In (Lesson in Jazz Harmony)

Memorial Weekend 2020 felt like a relevant time to revisit this recording of When The Saints Go Marching In, to honor the lives of heroes lost during both the past and most recent of days. The concept of my arrangement was similar to a New Orleans Funeral or Celebration of Life – a contemplative piano introduction, followed by a jubilant jazz band send off: Continue reading “When The Saints Go Marching In (Lesson in Jazz Harmony)”

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