Early Classical, K-Pop, Contemporary Christian & New Age Music: When it comes to improvisation, what do these genres have in common? Hint: You can sound great creating solos using just 7 notes!
For the above styles of music (plus certain Jazz & Gospel tunes), the 7 notes of the key center scale works well for improvising over the whole tune. It’s an easy concept to keep in mind that may enhance your solos, without having to think of too many confusing options, so you can focus on building nice melodic lines using rhythmic variety. When we build solos upon one scale it’s called improvising diatonically – which works fine provided the tune’s harmony doesn’t stray far from the home key.
Pianists, keyboardists, and guitarists also have the advantage of being able to build chords diatonically by combining notes built across a scale. In the following video tutorial I’ll show you how to do just that by using the D major scale (the key center of the K-Pop hit Euphoria, sung by Jungkook of the popular boy band BTS). Watch how the entire video – all exercises and examples – is created by playing with these 7 notes: D E F# G A B C#:
And if you’d like to have something tangible to put on your piano while you practice/listen along, find all 3 of my piano improvisation book/audio methods (The Aspiring Jazz Pianist, Amazing Phrasing – Keyboard, The Complete Church Pianist) see “Books” on my website or go here to order: https://www.amazon.com/author/debbiedenkemusic
Hope you have fun exploring the key of D like I did! – DD
December is the perfect time of year to develop one’s ear training skills. We’ve been by saturated listening to Christmas & Holiday tunes playing all over the place since Halloween, and know those familiar jingles a jing-jing-jingling quite well by now, so well in fact we can’t seem to get them out of our heads! So you may as well face the music and do something creative with these tunes as long as you are hearing them over and over, right? Continue reading “Add Jazz Pizazz To Holiday Hits: Play by Ear & Improvise Piano Tutorials”
The Broken 10th device most likely got introduced during a Nocturne by composer Frédéric Chopin. It’s a very rich sounding accompaniment for the pianist’s left hand, made with only the root, 5th, and 3rd of a chord. (If you take the 3rd out of the middle of a close position triad and transpose it up an octave it is now called the 10th.) Pianists with large enough hands may be able to play the 10th solidly as a chord, but those with smaller hands fear not – the video below shows 2 handed “cheating” ways to play walking 10ths, plus some lovely ways to break up 10th chords in a variety of rhythmic patterns. Continue reading “Arranging Tip for the Pianist’s Left Hand: Broken 10th & Variations”
Bored with that minor chord? Don’t be! Making music in minor keys can be quite exhilarating with these 3 fun and easy tips. All you need is a bit of time to move around on a minor chord – then you can add colorful sounds to your arrangement.
The next 3 videos explain everything to start exploring the ideas. Apply the following tips to a tune of your choice in a minor key, or choose a piece which has a minor chord lasting 2 bars or longer. You may also elect to work on the many song suggestions demonstrated in the body of these tutorial videos: Continue reading “3 Easy Tips: Playing With Minor Chords”
Ever wonder what would happen if you took Rhythm Changes and put them in a minor key? You just might get a spooky October surprise!
First, let’s define “Rhythm Changes“. (It has nothing to do with a rhythm changing or any meaning close to that. This jazz musician term is simply a shortening of the phrase, ‘Play the same chords (aka thechanges) that George & Ira Gershwin used for their popular tune, I Got Rhythm’. Knowing how to improvise over Rhythm Changes (especially in the key of Bb), is an expected part of every jazz musician’s repertoire, next in line after being able to improvise over the 12 bar blues form. Continue reading “An Experiment With ‘Rhythm Changes’ (Skeletons Dance at Midnight)”
I almost called it “Testing Out A Gooseneck Cell Phone HolderFor The Purpose of Showing a Bird’s Eye View For Clearer Teaching of Online Students And Improved Filming Of Piano Tutorials”, but decided to call my 58 second experiment instead, Name This Tune…Continue reading “What’s Your Name For This Familiar Melody?”
It’s over 100º outside, we are all getting a bit bored with “socially distancing”, and let’s face it – today is a great day to learn to play a very slow, hot, blues.
This tutorial came together after giving several of my online piano students tips on the basic 12 bar blues, common blues endings/turnarounds, typical jazz blues substitutions – plus my “covid bubble hubby” music partner and I had just performed a live Zoom concert from our home studio to friends’ living rooms across the country in their own “covid bubbles.” Continue reading “Got The Blues? Tips on How To Play a Slow Blues in G”
If I Had You(1929) is a cute YOUtune that can be played various tempos; I chose to arrange it with a slow swinging ‘saunter through the park’ feel. The tutorial part of this first video explores 8 different ways to harmonize the opening 4 chromatic melody notes in the main body of the tune. Watch the video all the way through, and you will get a bird’s eye view of many stylistic solo piano devices such as single note or octave bass lines, broken 10ths, soft swing bass, and the Bud Powell LH shell voicing using the root and 7th, which are all suitable for small hands. Continue reading “8 Ways to Play 4 Notes: If I Had You (solo piano ideas)”
Observe today’s music theory illustration pictured above. Notice the photo of these colorful FourO’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.
This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”