Explaining the Greek Modes

Observe today’s music theory illustration pictured above. Notice the photo of these colorful Four O’clock Flowers – each bloom is unique, but they all are linked together as a family that grows from the same parent plant.

This week one of my newer adult piano students eagerly read ahead in my book Amazing Phrasing – Keyboard, and got a bit confused trying to understand the Greek modes/scales we refer to in both jazz & traditional music theory. During her first lesson this enthusiastic lady Continue reading “Explaining the Greek Modes”

The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up

Ever notice how certain old hymns have chords and candences like other familiar tunes? (Especially the ones in 3/4 time can sound like Irish or Country Waltzes, Holiday Hits, or early American Songs.) I was MONKeying around with this request for The Old Rugged Cross, getting ready for a memorial service, when I kept getting distracted by other tunes which sounded similar.

Continue reading “The Old Rugged Cross: Old School Hymn Played Gospel Style with Sunday Mash-Up”

What Do Jazz Musicians Think About When Improvising?

 What goes on in your head when you improvise? Are you thinking about something in particular, or just playing “anything” and not really thinking at all? How are you able to improvise with other musicians you’ve never played with before and sound so good together?

The orthopedic surgeon who was vacationing on a recent Jazz & Wine Riverboat Cruise sincerely wanted to know what goes on inside a jazz musician’s brain. Continue reading “What Do Jazz Musicians Think About When Improvising?”

Doxology: The New Old 100th – An Advanced Reharmonization Tutorial

The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”

Aeolian King – Unlock Piano Improvisation

Peace Prayer by Debbie Denke

 

I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”

It’s All About YOU! Party Game

How To Play the Musical “Guess that YOU-tune” Game:

The host will want a copy of Debbie Denke’s album, It’s All About YOU!*

 

Additionally the host will want a pencil for each guest, a fun dessert to serve for intermission, a prize for the winner (I suggest something musical like an album or a music book as an award), and have copies of the list of clues for each guest (or a page with blank lines numbered 1-16), plus a copies of the lyrics to #16 It Had To Be You. Clues and lyrics are found in this site under the Downloads tab above. Allow about 90 minutes to play this game.

Continue reading “It’s All About YOU! Party Game”

Playing the Organ for Pianists

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Playing the organ both fascinates and terrifies me! I must admit knowing a bit about this instrument has gotten me quite a few more church and wedding gigs than I would have had if I just stuck to the piano. Perhaps this is because there are so few musicians who are bold enough to play such a powerful and intimidating instrument?

When I was 15 years old my father quickly taught me poor man’s organ from a pianist’s viewpoint Continue reading “Playing the Organ for Pianists”

True Tales from a Wedding Pianist Part 1

I like to consider myself first a jazz pianist. But I am also a working pianist, which means I play background music for parties, get employed as an accompanist for singers, will play occasional classical music when requested, perform in a ballroom dance duo, am a gospel choir pianist, and have worked as a professional church musician on piano, organ, and keyboard since the age of 15. I also do a good amount of gigs playing weddings and funerals, which have presented some of the most fascinating experiences for me as a musician! Continue reading “True Tales from a Wedding Pianist Part 1”