The following video demonstrates how I came up with new chords using an old hymn as an example. It involves first stripping away the music to discovering the essential chords which give a tune its basic identity – I call these the skeleton chords – usually they are the I, V and perhaps IV chords of the tune. Continue reading “Doxology: The New Old 100th – An Advanced Reharmonization Tutorial”
Aeolian King – Unlock Piano Improvisation
I’d like to share my most popular composition Aeolian King with you: It was created in about 20 minutes while waiting for a new piano student to arrive at my house, and is a very easy tune designed to free up improvisation for pianists. The trick is, you really can’t hit a bad sounding note if you just stay on the white keys, because the whole tune is based on the A natural minor (Aeolian) scale. Continue reading “Aeolian King – Unlock Piano Improvisation”
Do You Hand Out Bad Charts?
Okay, I will be first to admit it: I occasionally dash off very bad charts to fling at my trusted musical partners the night of the gig when I am in a big hurry. I am a jazz & church pianist, vocal accompanist, and sometimes sing a few numbers on my gigs too – yet, even when I know better, now and then I fall short and exhibit CSS symptoms. Although this article resembles ‘preaching to the choir’ (including myself in that group) – it is a more detailed exploration into writing music extracted from my blog, Do You Suffer Chick Singer Syndrome?)
I’d like to share a few examples ranging from pitiful to pretty good charts (both lyric and lead sheets), that I have either personally penned or have been instructed to “Just read the chart and listen to the YouTube link and figure it out.”
The following levels apply to charts written by today’s jazz and church musicians, vocalists, accompanists and band members. Remember, men and women can suffer Chick Singer Syndrome – even superbly talented ones! So with a touch of humor, kindly read on. Continue reading “Do You Hand Out Bad Charts?”