Tag: jazz

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Ways To Play “A Time For Love”

The gorgeous Johnny Mandel composition A Time For Love may be played in a variety of ways. The day I heard Emmet Cohen’s exquisite performance of this tune I became transfixed, not only with transcribing his dynamic cadenza/coda, but also took a deep dive into what he and other artists did with this tune, eventually combining ideas into my own version of A Time For Love. Let’s go down the rabbit hole to explore some favorite harmonic options!

The next step of this  journey led to finding a chart in a collection of tunes called, The Standards Real Book (Sher Publications). The tune is printed in the key of F Major -same key played by the Emmet Cohen Trio – although this standard is often performed by other musicians in the key of Bb. While the Sher book is a terrific resource for tunes, chords, and lyrics, just about every jazz pianist (myself included), likes to add their own harmony and personalize their arrangements, at least a little. So I set out to change up a few chords and create some flowing bass lines in a few places, and gave the ballad a solo piano approach, instead of the book’s suggested Double X Samba treatment!

Watch this tutorial to explore several options. Worksheets are printable under the “Downloads” column on this website. I’ve written out solo piano voicings for a few tricky areas which differ from Sher’s lead sheet suggestions:

Take a listen to my version complete with improvised intro & solo section, with a coda/cadenza inspired by Emmet Cohen Trio Live in Warsaw April 2023 performance. Note: If I get enough positive reacations and requests I just might share my transcription of EC’s hauntingly beautiful ending…;-)

Check out the links below my video to hear musicians who each did amazing performances of this timeless love song, and enjoy!

Key of F: Pianist Emmet Cohen, bassist Philip Norris, and drummer Kyle Poole:    • Emmet Cohen Trio | “A Time For Love” … (Emmet Cohen Trio Live Warsaw Second Set April 2023)  

Barry Harris: Key of Bb:                                                                                                                 • Barry Harris Trio (Live At Dug) – A T…   (Barry Harris Live at Dug 1995)   

Roy Hargrove Key of Bb: (Opening uses the note F in the bass)                                • ROY HARGROVE  –  A Time For Love   (Roy Hargrove Quintet Live At The New Morning July 2007)  

Bill Evans begins in Key of D, then transitions to Bb:                                                      • Transcripción: A time for love por Bi…   (Bill Evans Transcription Nacho Stoppani 2016)   

Tony Bennett sings in Key of Bb: It’s wise to hear the lyrics if a tune has them. Hear how Tony Bennett emotes the poetic lyrics by Paul Francis Webster        • A Time For Love   (Tony Bennett Sony with orchestra 1966)

 

 

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The Ambiguous Alt. Chord Symbol: What To Do?

You may wonder what the chord symbol (alt) is all about?

It’s best explained by watching the following video:

Download a free copy under the “downloads” column titled G7 through G7alt on this website to follow along. Voicings include many 2 handed piano chord ideas. Note: When playing with a bassist, pianists can put the main body of the chord in their left hand, and allow the bass player to play the chord’s root!

Want to learn more about advanced jazz harmony? You’re invited to view this tutorial on poly-chords: Continue reading “The Ambiguous Alt. Chord Symbol: What To Do?”

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Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?”

Amazing jazz pianist Emmet Cohen knows how to make the piano sing during  the tune “Where Is Love?” from Oliver! Let’s compare his 6 live performances of this beautiful ballad, to see what makes his takes so lovely.

Here’s my simpler chart of “Where Is Love” with lyrics (this may be important to help a ballad’s interpretation) in Emmet’s chosen key of A Major:    Continue reading “Art Of A Beautiful Ballad: Emmet Cohen Plays “Where Is Love?””

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Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them

There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”

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12 Key Improvisation Ideas For Piano: Just 1 Scale 7 Notes!

K-Pop, Early Classical Music, Contemporary Christian Praise Hymns, Folk Tunes, New Age Piano, Country & Western Music: When it comes to improvisation, what do these genres have in common?  Hint: Musicians will often sound “right in the pocket” by creating solos made up of just 7 notes (using only 1 scale) over the entire tune!

For the above genres of music (including certain even eighth note Jazz & Gospel styles), the 7 notes of the major key center scale work well for improvising over the whole piece. It’s an easy concept to keep in mind that may enhance your solos (without having to think of too many confusing options), so you can focus on building nice melodic lines with rhythmic variety. When we build solos upon one scale it’s called playing diatonically – which can sound good, provided the tune’s harmony doesn’t stray far from the home key. Continue reading “12 Key Improvisation Ideas For Piano: Just 1 Scale 7 Notes!”

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Notes To Choose For a 12 Bar Blues (Easy RH Improvisation Tips)

By popular request I filmed this tutorial exploring my easy go-to ideas a pianist may play over a medium-up tempo jazz blues in the key of F:

The original tutorial shown below was meant to be simply a lesson on a LH device called The Bud Powell Shell. Many of you then asked if I could share what RH “licks” I was using on my video, Improvising 28 Bars of Blues.  Continue reading “Notes To Choose For a 12 Bar Blues (Easy RH Improvisation Tips)”

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Growing Up Around A Piano: Memories of My Brother

Frank Denton Denke (6/17/1934 – 1/29/2021)

I didn’t get the opportunity to ‘grow up’ with my big brother Denton and oldest sister Diane, since these first born 2 siblings had already left the nest. Our mother Virginia (singing in the photo) behind our father Frank R. Denke (playing the piano) really spread the 4 of us out in age: My brother was born about a year after our parents married, followed by my sister Diane (not pictured) a few years later. 10 years after Diane my sister Connie was born (the teen girl singing), and 12 years later I came along. I’m the little girl in this newspaper article, looking up at her big brother, who planned to leave for the following 3 years doing Catholic Charity work as a teacher in Chile. Continue reading “Growing Up Around A Piano: Memories of My Brother”

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3 Easy Tips: Playing With Minor Chords

Bored with that minor chord? Don’t be! Making music in minor keys can be quite exhilarating with these 3 fun and easy tips. All you need is a bit of time to move around on a minor chord – then you can add colorful sounds to your arrangement.

The next 3 videos explain everything to start exploring the ideas. Apply the following tips to a tune of your choice in a minor key, or choose a piece which has a minor chord lasting 2 bars or longer. You may also elect to work on the many song suggestions demonstrated in the body of these tutorial videos: Continue reading “3 Easy Tips: Playing With Minor Chords”

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An Experiment With ‘Rhythm Changes’ (Skeletons Dance at Midnight)

Ever wonder what would happen if you took Rhythm Changes and put them in a minor key? You just might get a spooky October surprise!

First, let’s define “Rhythm Changes“. (It has nothing to do with a rhythm changing or any meaning close to that. This jazz musician term is simply a shortening of the phrase, ‘Play the same chords (aka the changes) that George & Ira Gershwin used for their popular tune, I Got Rhythm’. Knowing how to improvise over Rhythm Changes (especially in the key of Bb), is an expected part of every jazz musician’s repertoire, next in line after being able to improvise over the 12 bar blues form. Continue reading “An Experiment With ‘Rhythm Changes’ (Skeletons Dance at Midnight)”

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