Early Classical, K-Pop, Contemporary Christian & New Age Music: When it comes to improvisation, what do these genres have in common? Hint: You can sound great using just 7 notes!
For the above styles of music (plus certain Jazz & Gospel tunes), the 7 notes of the key center scale works well for improvising over the whole tune. It’s an easy concept to keep in mind that may enhance your solos, without having to think of too many confusing options, so you can focus on building nice melodic lines using rhythmic variety. When we build solos upon one scale it’s called improvising diatonically – which works fine provided the tune’s harmony doesn’t stray far from the home key.
Pianists, keyboardists, and guitarists have the advantage of being able to build chords diatonically by combining notes built across a scale. In the following video tutorial I’ll show you how to do just that by using the D major scale (the key center of the #kpop hit Euphoria, sung by Jungkook of the band #BTS). The entire video – all exercises and examples – are made using only these 7 notes: D E F# G A B C#.
Hope you have fun exploring the key of D like I did! – DD
There are certain types of rich chord techniques the jazz pianist ought to have under their fingers in a piano/bass/drums or larger group setting. Both Block and Spread Chords may be used for a full sounding effect during the melody of certain tunes. Additionally, these styles may be used to build intensity during a piano solo, or culminating in impressive spread chords at the solo’s highpoint. Continue reading “Block Chords (Locked Hands Style) vs Spread Chords: How Pianists Create Them”
I didn’t get the opportunity to ‘grow up’ with my big brother Denton and oldest sister Diane, since these first born 2 siblings had already left the nest. Our mother Virginia (singing in the photo) behind our father Frank R. Denke (playing the piano) really spread the 4 of us out in age: My brother was born about a year after our parents married, followed by my sister Diane (not pictured) a few years later. 10 years after Diane my sister Connie was born (the teen girl singing), and 12 years later I came along. I’m the little girl in this newspaper article, looking up at her big brother, who planned to leave for the following 3 years doing Catholic Charity work as a teacher in Chile. Continue reading “Growing Up Around A Piano: Memories of My Brother”
Bored with that minor chord? Don’t be! Making music in minor keys can be quite exhilarating with these 3 fun and easy tips. All you need is a bit of time to move around on a minor chord – then you can add colorful sounds to your arrangement.
The next 3 videos explain everything to start exploring the ideas. Apply the following tips to a tune of your choice in a minor key, or choose a piece which has a minor chord lasting 2 bars or longer. You may also elect to work on the many song suggestions demonstrated in the body of these tutorial videos: Continue reading “3 Easy Tips: Playing With Minor Chords”
Ever wonder what would happen if you took Rhythm Changes and put them in a minor key? You just might get a spooky October surprise!
First, let’s define “Rhythm Changes“. (It has nothing to do with a rhythm changing or any meaning close to that. This jazz musician term is simply a shortening of the phrase, ‘Play the same chords (aka thechanges) that George & Ira Gershwin used for their popular tune, I Got Rhythm’. Knowing how to improvise over Rhythm Changes (especially in the key of Bb), is an expected part of every jazz musician’s repertoire, next in line after being able to improvise over the 12 bar blues form. Continue reading “An Experiment With ‘Rhythm Changes’ (Skeletons Dance at Midnight)”